Our Process
The Process
From the forest to your floor — this is how every Cosmos Infiniti piece is made.
Six stages. No shortcuts. Every piece we make is made, not manufactured — and every decision along the way is one you're part of.
Moisture content our kiln reaches before a single cut is made
Solid wood species at the heart of our workshop
Only studio in Pakistan working with solid resin furniture
Warehouse pieces — everything is made to order
01 — Sourcing
Chosen With Intention, Never Cut for Convenience
We source ethically and responsibly. Every slab that enters the studio comes from wood taken down by termite damage or natural causes — never from trees felled for commercial logging.
We work exclusively with solid wood. No MDF, no veneers, no engineered board of any kind. The species we return to most often:
- Walnut — Akhrot
- Indian Rosewood — Sheesham / Tali
- Acacia — Kikar
- Maple — Chinar
Each species has its own grain, density and character. Knowing how one behaves — with resin, under a seal, over years — is knowledge that only comes from working with it, season after season.
02 — The Kiln
The Wait That Isn't a Delay
Before a single cut is made, every slab enters our solar kiln. We dry our lumber in-house, bringing moisture content down to between 7 and 10% — the range at which wood stabilises and stops moving.
"That wait is not a delay — it is the process."
We have clients who have waited months for a chosen slab to season sufficiently before it entered production. Wood that hasn't been properly dried will warp, crack and pull away from resin. It will move inside a finished piece, open gaps, and undermine everything built around it.
We dry in-house specifically so we can monitor every slab ourselves. This is the one step we refuse to outsource — the kiln is where the quality of a piece is decided, long before it reaches the workshop.
03 — The Wood
Every Grain Tells a Different Story
There is no fixed formula — but years of commissions have taught us where each species is happiest.
Walnut
Deep chocolate tones, straight to wavy grain. Stunning in large pieces — dining tables and statement coffee tables where the dark, rich hue can do its work.
Best for: dining tables, statement coffee tables
Indian Rosewood
Golden brown to deep purplish black, with grain that runs straight or wildly figured. Incredibly durable — a natural choice where character is everything.
Best for: large dining tables, bespoke commissions
Acacia
Light and creamy with natural dark streaking. Strong, consistent, and more accessible in price.
Best for: coffee tables, side tables, accent pieces
Maple
Fine, even grain with a pale, clean finish. Works beautifully in contemporary interiors.
Best for: smaller pieces, accent furniture
A note: there is no fixed rule. These are patterns observed over years of commissions — the right wood for your piece depends on its size, your space, and the conversation we have with you.
04 — Resin
Where Wood Meets Its Limits
The only studio in Pakistan working with solid resinWe started where most do — using resin alongside wood, filling voids in live edge slabs. Over time we pushed further. Cosmos Infiniti now makes furniture entirely from resin, with no wood component at all.
Getting here was not straightforward. Resin is one of the most temperamental materials we've worked with:
- Acutely sensitive to temperature — too much heat and it goes limp, loses form, or bleeds pigment
- A rushed pour or an off ratio traps air bubbles that cannot be fixed once cured
- Correct pouring happens in a temperature-controlled, dust-free room, with precision and patience
We've learned every one of these variables the hard way. But the result is worth it: a depth and finish glass cannot match, and a resilience acrylic doesn't come close to. It's a material of unlimited possibility — and we're only continuing to explore what it can become.
05 — The Making
A Process You're Part of From the Start
For all large pieces — and everything beyond our small objects — every Cosmos Infiniti piece is made to order. We involve you in that process from the very first decision.
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01
Choose Your Slab
You choose your wood — we show you the options, walk you through the grain and character of each, and give you our honest recommendation for your space and brief.
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02
Size, Proportion & Form
Live edge or straight-line finish — we shape dimensions around your space and your brief.
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03
Resin Swatches
Colour, transparency and opacity, matched to what the piece is asking for.
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04
Sign-Off
Every decision is yours, guided by our expertise — nothing moves to production without your approval.
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05
Sand, Pour, Cure, Seal
The slab is sanded, the resin poured and cured, sanded again to a silk finish, then sealed. The process is methodical — there is no skipping steps.
06 — Yours From the Start
Made Once. Never Repeated.
What arrives in your space is the product of your vision and our craft — brought to life through a process that begins with a conversation and ends with something that has never existed before, and never will again.
No warehouse. No stock. No two pieces alike — because no two slabs, no two resin pours, and no two clients are the same. Nature ensures that.
Every bespoke commission requires an advance to begin. This covers material procurement and moves your piece into production.
If you have something specific in mind — or simply an idea you haven't fully formed yet — reach out. That's where it always starts.
Begin Your Commission